Specify the minimum number of characters at the beginning or end of a word that can be broken by a hyphen. Specify the maximum number of hyphens that can appear on consecutive lines. Zero means unlimited hyphens. Specify the amount of white space allowed at the end of a line of unjustified text before hyphenation begins.
To alter the balance between these settings, adjust the slider at the bottom of the dialog box. To prevent words from being hyphenated across a column, frame, or page, deselect this option.
By using nonbreaking hyphens, you can prevent certain words from breaking at all—for example, proper names or words which, when broken, become unattractive fragments. By using nonbreaking spaces, you can also keep multiple words from breaking—for example, clusters of initials and a last name P.
Note: Another way to prevent a word from breaking is to place a discretionary hyphen at the beginning of the word. The Nonbreaking Space varies in width depending on point size, the justification setting, and word space settings, whereas the Nonbreaking Space Fixed Width character maintains the same width regardless of context. Use the Justification panel to precisely control how word spacing, letterspacing, and glyph scaling.
Adjusting spacing is especially useful with justified type, although you can also adjust spacing for unjustified type. Note: Word spacing, character spacing, and glyph scalings for justification settings, are ignored for CJK text. To set CJK text character spacing, use the Mojikumi dialog box.
The space between words that results from pressing the spacebar. The distance between letters, including kerning or tracking values. The width of characters a glyph is any font character. Note: Spacing options are always applied to an entire paragraph. To adjust the spacing in a few characters, but not an entire paragraph, use the Tracking option.
In narrow columns, a single word can occasionally appear by itself on a line. If the paragraph is set to full justification, a single word on a line may appear to be too stretched out.
Instead of leaving such words fully justified, you can center them or align them to the left or right margins. Using a flush space character adds a variable amount of space to the last line of a fully justified paragraph—between the last word and an end-of-story character from a decorative font.
Used with nonjustified text, the flush space appears as a normal word space. In justified text, it expands to absorb all available extra space on the last line. Using a flush space can make a dramatic difference in the way the entire paragraph is formatted by the Adobe Paragraph Composer. Because composing a line of type involves factors in addition to word spacing and letterspacing hyphenation preferences, for example , InDesign cannot always honor your settings for word spacing and letterspacing.
However, compositional problems in lines of text can be highlighted in yellow; the darkest of three shades indicates the most serious problems.
Legal Notices Online Privacy Policy. Text composition Search. Adobe InCopy User Guide. Select an article: Select an article:. Applies to: Adobe InCopy. Compose text. Composition methods. The Adobe Paragraph Composer. The Adobe Single-line Composer. Choose a composition method for a paragraph. Do any of the following:. Set composition preferences.
Click OK. Hyphenate text. Adjust hyphenation manually. Using the Type tool , click where you want to insert the hyphen. Do one of the following:. Adjust hyphenation automatically. To turn automatic hyphenation on or off for a paragraph, in the Paragraph panel or Control panel, select or deselect the Hyphenation option. You can also include this option in a paragraph style.
Set automatic hyphenation options for a paragraph. Click in a paragraph or select the range of paragraphs you want to affect. Choose Hyphenation from the Paragraph panel menu. Select the Hyphenate option. Make changes to the following settings as needed, and then click OK:. Specify the minimum number of characters for hyphenated words. Hyphenation Zone. Hyphenate Capitalized Words. To prevent capitalized words from being hyphenated, deselect this option.
However, the rendered results can be different because they generate results using different renderers and support different sets of features. For example, there are differences in the 3D layer material options and other layer behaviors.
You can see the resultant renderer parameters in the Options, Anti-aliasing, and Reflectance boxes. The single Quality setting makes it easy for you to choose a balanced combination of rendering speed and acceptable 3D rendering quality without understanding and modifying the various rendering quality parameters.
Anti-Aliasing : Geometry is the default anti-aliasing setting that smooths all object edges automatically with 16x16 sub-pixels. Reflectance : Layer sampling is the default Reflectance setting that defines the quality of matte reflections. After Effects installs a default Renderer on your machine. Increasing the Ray-tracing Quality value does not increase the sharpness.
Instead it decreases the noise inherent in point sampling. Use the lowest value that produces an acceptable amount of noise or no noise. The anti-aliasing filter controls the amount of blurriness. None gives the sharpest result but the edges of the projection catcher may look aliased, with Box blur, Triangle, and Cubic giving blurrier results.
Depth of field calculations in Ray-traced 3D are more accurate than they are in Classic 3D and previously in Advanced 3D. With the improved composition panel toolbar, work faster and without distraction when creating and designing 3D scenes within After Effects. The UI and placement are the same as the default composition toolbar at the bottom of the Composition panel when you work with 2D assets.
Once you add 3D content to your scene, the composition panel containing the 3D menu is displayed. After Effects adds more 3D controls to the composition panel toolbar, and controls that are not needed for your current workflow move out into the Composition menu.
For more information, see the 3D Design space. You can choose which frame of a composition to show as a thumbnail image poster frame for the composition in the Project panel.
By default, the thumbnail image is the first frame of the composition, with transparent portions shown as black. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Composition basics. Comp button. Create a composition.
Create a composition and manually set composition settings. Create a composition from a single footage item. Create a single composition from multiple footage items.
Select footage items in the Project panel. The duration for the still images being added. Add the new composition to the render queue. Create multiple compositions from multiple footage items. The duration of the compositions created from still images. Add the new compositions to the render queue. Duplicate a composition. Select the composition in the Project panel. Timeline panel. Composition settings. Working with composition settings. Ensure that all layers are unlocked in the selected composition or the script fails.
Basic composition settings. Pixel aspect ratio and frame aspect ratio Frame rate Resolution. Advanced composition settings. Anchor Click an arrow button to anchor layers to a corner or edge of the composition as it is resized. Preserve resolution when nested and Preserve frame rate when nested or in render queue For a composition to retain its own resolution or frame rate, and not inherit those settings from the containing composition.
Motion Blur settings Shutter angle : The shutter angle is measured in degrees, simulating the exposure allowed by a rotating shutter. The shutter angle uses the footage frame rate to determine the simulated exposure, which affects the amount of motion blur.
Shutter phase : The shutter phase is also measured in degrees. It defines an offset that determines when the shutter opens relative to the beginning of a frame. Adjusting this value can help if an object with motion blur applied appears to lag behind the position of the object without motion blur applied. Samples per frame : The minimum number of samples. This minimum is the number of samples used for frames for which After Effects is not able to determine an adaptive sampling rate based on layer motion.
This sample rate is used for 3D layers and shape layers. Adaptive sample limit : The maximum number of samples. Specify resolution to use for rendering shadows Preferences and composition settings that affect nested compositions Motion blur. Classic 3D renderer. Classic 3D is the traditional, default renderer. Layers are positioned as planes in 3D space. The following parameters are modified when you adjust the Quality slider : Ray Threshold : This value helps to optimize render time.
Ray Depth : The Ray Depth determines how many transparent objects or areas made invisible using the alpha channel can be penetrated by the renderer.
Reflection Depth : When a ray is sent into the scene, it can be reflected by reflective surfaces. The higher the Reflection Depth, the further rays are followed into the scene and the results rendered. The Shadow Depth setting defines the shadow depth with which visible shadow rays are calculated.
Ray-traced 3D render options. Here you can choose: Ray-tracing quality : Click the Ray-tracing quality setting to change it according to your workflow. Higher values for ray-tracing quality decrease noise but greatly increase render time. Ray-tracing quality controls the number of rays fired per pixel for example, a value of 4 fires 16 or 4x4 rays, and 8 fires 64 rays.
A larger number produces a more accurate pixel at the expense of computation time. A value of 1 provides better performance, but there won't be any reflection blur for example, it is always sharp , soft shadow, depth of field, or motion blur.
Anti-aliasing Filter : Controls the method of averaging the fired rays for a pixel. None fires all rays within the bounds of a pixel, whereas the others spread the grid of fired rays partially across adjacent pixels to produce a better average. Box, Tent, and Cubic which is not bicubic are listed in the order of better quality.
None Box Tent Cubic The anti-aliasing filter controls the amount of blurriness. Ray-traced 3D layers use Ray-tracing Quality to control the appearance of motion blur. Improved composition toolbar for 3D designing.
How is this composition toolbar different from the old composition toolbar? Placement of controls. The most used controls are reorganized and are on the left side of the toolbar. New 3D controls. Streamlined controls. The Select View Layout menu has been streamlined. The Fast Previews is streamlined.
Fast Draft is named Draft 3D and is controlled by the button on the right side of the toolbar. Draft mode is removed and is no longer applicable. The Renderer Options command is in the 3D Renderer menu on the right side of the toolbar. Controls enabled by default.
You can disable them from the Grids and Guides Options menu, on the left side of the toolbar. Pixel Aspect Ratio correction is enabled by default. You can open the Timeline and Flowchart panels from the Window menu, if not currently open in your workspace.
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